incl great john selway dub-techno remix.. the second installment on forward think label hej records is a special collaboration between label owners punisher ( michelle herrmann ) and john overfiend ( matt caputo ). the title track thermal underwear begins with a hypnotic melody that envelopes you and the lush atmospheric synths float over, as if preparing you for the coming bass storm. the minimal yet driving, chunky shuffled beats hit hard and your body moves to the infectious rhythm.

tony lionni is the new signing here at versatile. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything.

tony lionni is the new signing here at versatile. born in liverpool, his love for the music was passed on to him by his father, a record collector and former dj, who introduced him to crate-digging at the early age of eight. his roots stem from black music. hip-hop will become his musical bases before he discovers the acid-house explosion at the mythical hacienda in manchester. he naturally starts mixing in the late 80s/early 90s, playing a mixture of rare groove, deep-jazz, deep house, etc. he then turns to production and is noticed by gilb-rs fine-tuned ears who signs him on the spot. releases on labels like wavetec and mule musiq are planned further in the year. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything

cool houser from the french mixture label, which if i am correct is owned and a&r d by martin solveig on this 2 tracker you will find an intriuging latin disco tune that clocks in at around 10 mins and echoes a bit of the gregory sound b side is another expertly crafted houser called are u elton as well as a tools mix of the title track tracks mafe disco/are you elton

williams is back with a brand new 12inch for get physical, el baile. the lead track immediately enthrals with its galloping kick, snare and analogue bass pattern, before a typically williams-eque, fat but understated electro motif, phased chords and crisp percussion edits propel it onwards into the heart of the dancefloor. >the unbearable truth< is a thrillingly modern, moody take on the straight-up acid track. a devastatingly simple, bending acid line lies at the heart of the track, but its the way the uncompromisingly linear beat and one-note bassline play off it that really makes this track fly. house music to get lost inside. >kiss of life< sounds every bit as vital and reviving as its title implies. its beauty lies in the intricate and expressive interplay of synths: beginning with a lowslung melodic motif, a more nimble, staccato bassline emerges, before the deep, kosmische-style chords arrive ahead of a powerful breakdown into heads-down techhouse strut.

a gong chimes the start of title track and straight away this massive tune launches into a kicking beat and funky bass groove. fetischs most recent hit coll. is with fellow gigolo princess superstar on their lottergirls project

ivan smagghe: >best record this year!!< further support coming from chloe, prins thomas (on minus 6), tiefschwarz, karotte, laurent garnier… tip ! the first release of forcetracks in 2008 has the catalog no.082 and is made by the upcoming artists cerosine nathalies. this project is produced by the both berliners philip bader and sasha hirtenfellner. the title >on time< is pleading for to be in time on the dance floor, because the track on the a-side is deep, gloomy and needs a essential dancing. with the oriental vibrant tune in the middle of the track will be the a-side a massive club hit! the b-side comes to the fore with a stracato-vocal sample, a clicky starting minimal track, friendly grooving until the sunshine is merging with the lights in the club.

huge new 12inch from the master himself! >dont panic – its automatic< – a title that is in many ways descriptive for a track that fires the creative starting shot for anthony rother in 2008. recently having been not more than consistent, rother heralded a stylistic reorientation of his music, however, with last years programmatic >moderntronic< ep. on the a-side, >dont panic<, with the vocoder voices that have come back after a long time now, stays closely associated with the sound and the aesthetic of datapunk - a unique vision of a futuristic abstraction between techno, disco and electro. the dataclash mix on the b-side then formulates the stylistic new beginning with a consistency that leaves the listener speechless. rarely before on datapunk has homage been paid to the imperative of energy so rigorously. going against the grain with extremely surprising noise effects, the dataclash mix is tailor-made even for reductionist dj sets in its psychoactive darkness. a thrilling foretaste of the third rother album on datapunk, announced for the coming year

the new mojuba brings some fresh tunes from the always reliable oracy. the title track >rewound< is a deep and warm excursion into the sound cosmos that was build on the heritage of detroit and chicago. the flipside is called >hold me< and comes along as peak time cut with some hypnotic disco elements and a phat bassline to proof some serious floor qualities! thats how we like it!

the >midnight drop ep< is phonogenic at his absolute best dropping 3 tracks of wicked fresh, germanic, house music. the title track is an inspired, lush, flowing house workout best dropped, oddly enough, at midnight... limited restock

jona is back with manta: a sick, expertly crafted new e.p. for get physical music. 24-year-old belgian jonathan troupin s true arrival on the house and techno block his debut 12- for get physical, the learnings. since then, he s chalked up another acclaimed e.p. for physical, tizia, not to mention assorted releases for labels like fumakilla and resopal red, and high profile remixes for michal ho, soffy o, daso and labelmates booka shade and m.a.n.d.y. jona doesn t mess about: title track manta immediately establishes itself as a no-holds-barred, peaktime club weapon, with a hard, pure-of-purpose kickdrum taking centre stage while kinetic drum edits and pressurized fx patter in, out and around it. a dizzying synth motif adds to an already mind-bending brew, while each successive build and drop ravishes the listener into submission. this is music to immerse yourself in, for sure, but above all it s music to really, really dance to. at this point you might expect the pace to let up, but b-side amon is a similarly hectic, energetic cut. all rolling bassline, acidic synth cycles, crisp percussion, jump-up vocal samples and surging narcotic effects, amon is a blast of magnificently controlled chaos for the party s more intense moments. the 12- draws to a close with exoplanet dub a no less formidable but certainly more spacious club track. its addictive, zig-zagging melodies reminding us of the more playful side to jona s music. with manta, jona furnishes us with three vehement yet elegant tracks guaranteed to turn a dancefloor near you inside out

limited to 800 coloured vinyl - purple transparent !! the follow-up of >male isms< which was released in 2004 comes along with two variations of the track >gothan<, a timeless deephouse track and it s beatless dub version. the main title >male kicks< is an upbuilding funky techno track that starts with african tribal sounds and smooth percussion before it twists into a stormer

as we found this fabolous track from bruce lenkei, we couldnt believe that this was not an original from the cosmic era, instead it is a new production. this track immediately came on to us very strong with its magic sounds and the great atmosphere, which describes the title best. after we included the moonlightzombiedance into our mix for the d.i.r.t.y soundsystem from paris, we got crazy feedback from around the globe and so we decided to put it on wax. on the remix duties we have the hot talented michoacan, who earned himself a very good reputation with 12inches on labels like bear enterainment, grayhound recordings, tiny sticks and lektroluv under his belt. most recently he also got remixed by the almighty dj harvey and the glimmers. he speeded the tempo of the original way up and transformes it into a crazy krautrock stepper in the vain of goblin. it makes the people dance like zombies on speed - we experienced :). if you dig the zombiezombie stuff you will love this one.

back in march 07, drag city issued rtxs second ball busting album, under a title that we all really loved and you did too. but the man! the man came down on them, telling drag city that in a court of law the album with that title would be struck down and that they must cease and rethink. thusly armed, drag city went to rtx and told them that a rebirth was at hand. fortunately, they were up for the change - and ratx is the inevitable result! containing the exact same contents as its former self, ratx has the additional benefit of being released in a super limited vinyl edition.

the beginning of year three in the adjunct chronicles is marked by a 12inch by our own apendics.shuffle. kenneth james gibson has been bombarding the techno scene consistently for the past few years. u_derline, orac, friends of tomorrow, mos ferry, sunset diskos among other labels have served as the carrier for kens deadly weapons. remix duties are taken on by the one and only mathias schaffhäuser , a renowned techno superstar and the founder of ware records. there couldnt have been a better title than >no reduction< to literary describe this monster of a track - ken has unleashed the entire arsenal of his studio for the creation. stern synth patterns pizzicato their way through the track, deep sea signals ring in the background, distorted vocal snippets insist on taking >all the money<. energetic and magnetic dancefloor number dedicated to the real freaks. mathias approaches the rework with smooth drumming and a velvet bassline. the cheeky cabaret vibe however never settles: the diabolical pizzicato of the original returns and the voices continue their demands for (what all adds up to in the end) >no reduction<. oblivious filth brings yet another layer to this joint. beautifully crafted sounds mingle with electro-mechanical noises, layers of melting textures lure the listener into a late night wonderland

following the big success of u got it, french superstar dj lbr is back again with another slammin funky house title, designed to go to the tops!

gavin herlihy has long been one of dance musics most respected journalists and djs, and with two acclaimed releases on mood music last year and more recently a brace of top-drawer remixes for unkle and alexkid, hes fast becoming one of its hottest producers. freshly relocated to berlin, his debut 12inch for kindisch, >opium haze<, confirms his status as a skilled and innovative player on the house and techno scene. >opium haze< is as heady and intoxicating as its title implies, an effortlessly psychedelic piece of music thats nonetheless firmly rooted on the dancefloor. it begins with a clicky, funked-up conga tattoo cloaked in disorienting effects which partly obscure the jazzy melody rising up from the mixs depths. out of that sticky, dubby fug emerges an insistent, upward-tripping piano line and synthesized string stabs - together forming the kind of rave-ready hook that will cause immediate damage in the club. herlihy is superbly heavy on the edit, using an eastern woodwind sample, disembodied voices and various percussive elements to deliver build after build, drop after explosive drop. >opium haze< is a hugely satisfying piece of music, and a club anthem-in-waiting. >professional exit< is a more stripped-down but no less accomplished affair, driven by a warm, rippling bassline and phased electronics. before the percussion intesifies and interlocks, offsetting a sparse one-note synth line which hangs in the air, thickening it with understated drama. at once seductive and unsettling, experimental and club-oriented, >professional exit< is indeed a professional end to a highly professional 12inch

alex delivers here his brand new single brain leech. this title is already receiving huuuge reactions all around.new ep with remixes from dada life, riot in belgium & cajuan (with jence)

>life is the only drug i wont ever give up<. this is probably the most life-affirming claim ever forwarded by ware- labelboss matthias schaffhäuser and its made to fit the party. and as hes being the guest on a very special label hes going all the way. totally in accordance with the wir-label-philosophy, the title track shows off lots of modern producing skills, never sticking to just one rigid idea but coming along with a whole bunch of attitudes. pop-induced vocals are artfully woven into minimal beats, housy strokes meet sound concrète, and the whole combines to one neverending track, leaving the elitist style ghetto behind and delivering itself to the pulsating life outside, leading to a truly beautiful work clearly thats one hell of a challenge for every remixer, but lovable atom smahing mathias kaden is the right man at the right place, as he knows how to deal with emotional content under the influence of the contemporary raw. his eleven-minute-opus tightens, focalizes, piles and moves around the original material, but without betraying its spirit. this remix seems larger than life but still maddingly gripping and you get the overwhelming impression that here every angle leads to another, every bit communicating. its a nation under the groove, all in one track, and its here to be heard

dj harvey children >foolish felix< and most well known keyboard player in uk disco scene >pete z< aka das etwas returned to mule. last 12inch >international news< was a big favorite of ivan smagghe and name a few. the title track >escape from the scapegoat< is dirty new wave disco track and its a one of the most danceable track of them. if you love smith n huck, prins thomas etc.. ,you will love this track. >chicago halal< is a wild progressive rock sound and you will listen fantastic pete zs keyboard melody at >lick the nose<

earlier this year, todd sines inaugurated yore with the slamming techno-funk of the .xtrak release back_up ep and now returns for round two with dont stop. without losing the stripped-down, minimal tech-house funk essence of the .xtrak sound, sines ups the acid-house ante considerably in the new material. the old-school title cut makes an immediately vivid impression by repeating the insistent vocal hook >dont stop<-both command and mantra-over a towering backbeat. >cut to the chase< does exactly that with funky handclaps and syncopated swing, while the b-sides low-riding >unreflect< pairs dropouts and bass-crawling boogie. slightly different in character, the squiggly acid-techno track >quantum mechanics< is as precision-tooled as its title suggests. despite the subtle shift in stylistic emphasis, dont stop offers a splendid complement to the earlier release

incl remixes by joakim and speakerine. a space hymn with martians on juno synths, jupitarians at the mixing desk and our cosmic prophet sebastien tellier on vocals. it comes with a remix by our new french discovery, speakerine, a very young kid from the deepest country side in the south of france, with a true love for the dark side, mr oizo and el-p. on the flip side, our man joakim remixes the title track and does what he does best, forward thinking dance music.

fredo has already been collaborating with massive attack and this debut ep is the perfect introduction to this wonderful new artist. the choral majesty of fredos voice and the utterly refreshing production sound sets this ep apart as something very exciting indeed. three different tracks open the account, the sweet electronic waves of the title track, the playful sounds of hogwash and the dark demented abrasive ether.

pumpin minimal techno two tracker !!after their first release on armut24 in may 2007 the berlin minimal-house project nicone now presents its second 12inch on force tracks. with >habibi< and >plesna dvorana< alexander gerlach and sasha hirtenfellner created two very danceable minimal tracks. >habibi< starts with a wide range of clics, clacs and sounds of wailing wind – accentuated by a straight beat. around three minutes later the song title becomes explicit, oriental flutes complete the sound arrangement and the magic carpet ride through arabian clubnights might begin. the trip goes directly to the balkan peninsula, >plesna dvorana< is the croatian word for ballroom and a dancing crowd is exactly what the track makes possible

bot ox, the super team of cosmo vitelli & tekel, deliver another slice of avant garde electro with babylon by car already being hammered by francois k, stevie kotey, simian mobile disco & more. expect their unique brand of dark & twisted electro tinged disco. includes the title track plus the b side tragedy symphony.

limited upfront copies, the best seller electro title from teenage bad girl gets new remixes from vitalic & d.i.m. a must have for all new school electro warriors. pink coloured vinyl

next hypnotical gel abril two tracker !! on the a-side, >200 grams< cannot be the weight of this heavily bouncing and hypnotizing tune. with a distinctive quirky line and a heavily bouncing groove like we are used from gel abril, “200 grams” keeps you moving all the way up to the main break, and then takin you back into the dubby old school groove. if the a-side was freaky and bouncing, well the ep title-track >your face is a mess< on the b-side can only be descibed as a dirty mindblowing minimal/tech house track with a druggy vocal all over and a very stripped down synth line

in the title track dunkelgold orchestral brass and a deep bassline are carrying the voice of chava alberstein to the dancefloor. dj click of nofridge (paris), who had already presented himself as producer and remixer on various releases and samplers and the violinist estelle goldfarb, together they succeeded in a absolutely unique and danceable remix.

the title track recalls those half forgotten dreams of positivity and optimism inspired by early us house music… a nostalgic arrangement of arpeggiated synths, high string lines, analogue drum machines and a 1980s vintage, new order like stepped bassline. housemuzik 1.2,3 takes us into much dark territory, dragging a similar palette of sounds into a dense psychedelic mix of acid guitar, pitched down demonic vocals and disorientating spacial effects. dont listen to this with the lights off! fajr dub is an epic, stoned dub collage built around classic space echo delay & feedback tricks, spectral voices and a shifting synth bass pattern, all underpinned by a soft pulsing backbone reminiscent of rhythm & sound productions.

played by ricardo villalobos !! here comes popof, aged 28, an electronical arranger and composer from france, with his first release for afu limited. this 12inch will definitely do it s damage and rock the floors big time! the title track alcoolic is just waiting in the row to be the next big funky-minimal styled monster. the track hypnotical has all the qualities for the crowdpleaser and hologram is the electrohouse rumbler to round it up! he fits perfectly into the line of rockin afultd. releases and will be found in the playlists of the big ones pretty soon!

scott wozniak gets large again with his follow up ep to breathe. stand up is the title track, and has all of the trademark sounds and pads that have made woz the man of the moment. a spoken word is featured here, along with a mr v inspired chorus and fantastic bassline and beats. time and a red sky is the 2nd cut and is gritty and techy, perfect for harder dance floors.

san francisco sound is back! transport recordings is proud to present another great release from its very own dj mfr this is the big come back of the wellknown west cost label with a huge hypnotic minimal tech, fat bassline over sensual female spoken vocal, & driving beats. massive title that can be played by a large array of ds, great stuff! not to be missed

big with: carl craig, john digweed, laurent garnier, satoshi tomiie, slam, steve lawler, ewan pearson, damian lazarus, ame, tiefschwarz, ricardo villalobos, luciano…. the largest radio slave single to date. the haunting track you have been wanting is now available. the title says it all >bell clap dance<

deadset return to front room with their third single tick tock from their album keys open doors. deadset set the bar impressively high. based on a simple sample sound taken from a grandfather clock that stands in the hall way of the studio where most of the album was written, this track perfectly illustrates the organic house feel that defines the deadset sound.the a side is a perfect late night/early morning dance floor session on wax. made for dancing, its heavy bottom end works perfectly with the vocal elements and grandfather clock to create a truly memorable piece of audio.the b side features the tough stripped back dub efforts of none other than man of the moment and reigning title holder of worlds biggest deadset fan, jesse rose. effortlessly powerful and designed for the heads down, hip wigglers amongst you.is it any wonder that djs like jesse rose, laurent garnier, dj t and switch all put their hands up in class when asked if they re dead certain about deadset.

big with miss kittin, dan drastic, chris fortier, xpansoul, jaumetic, angel molina, pablo bolivar, davide squillace the 19 is the eighth prime number, are a centered octagonal number and for more information its octahedral. it is the atomic number of potassium, its 10011 binary system and most important,: it is the lucky number of iñaqui marín. >19< is the title of the new album of iñaqui marín. its previous lp >klinischtod < removed the foundations of the electronic dance music, and >19< promise to return them to break to remake them again. for its easy digestion and better enjoy, the album appears in three parts in its vinyl format.we presented here the first part of the serie of vinyls with two new hymns that serve like tasting of this long awaited album. beija flor (1): with a high flights production its lover of detail, dreamer, melancholic, intense, atemporal…yeeeah! (10/10) my little box: crazy, devil progression, groovie, hypnosis, powerful ,and those voices ..... (19/19)

whether you re a seasoned italo freak or an avid newcomer, barry masons classic italo hit body get your body will have you grooving in no time. the acidic bassline starts the dance and will get your body venturing on the dancefloor. the funky piano riffs will make your disco feet itch and before you know it this timeless disco classic with its most simple but effective vocals will get your body as the title so strikingly suggest. this time one of uks finest disco outfits faze action answered the remix call. their take on the track resulted in a dance floor disco house treatment, bringing it up to 2007 cruising speed but all the same staying true to the original 1983 vibe. you d better get your body ready!

foundation music return with the second ep in their back to now series, with 4 cutting edge tracks that reach out to fans of techy, twisted and deeply emotive beats. as the title suggests, back to now references the past whilst hinting at the future, and this is reflected in the selection of artists and tracks. from nostalgic house music in the true analog spirit of the genre, to dark drexiycan funk and twisted techno, theres a place and a time for all of these, putting the pioneering veterans and new names side by side.

no stranger to fans of funk, soul, r&b and house music,tim fuller breaks out with his debut album! solidifying his place as one of underground dance musics freshest new vocalists. produced by sean dimitrie along with nav bhinder, fuller is able to showcase his entire range by visiting the many faces of house music with an infectious and universally appealing release. delivering the feel good tone of a dance record, fuller forges his own path using anthem styled vocals, seductive solos,complex harmonies and some dancehall reggae thrown in for good measure. taking the listener through the block party sound of the early 80s with title track the slightest touch, rolling disco vibe with cheap advice to the jazz tip with beautiful (along with acclaimed jazz artist denzal sinclaire), fuller expresses himself through both his subtleties and casual demeanor, enticing the listener to explore every song on this tightly sewn double pack.

third solo ep for vicknoise in factor city. this time, two tracks plus two remixes by undo and mouseup, his teammates. in the a-side we find the track that gives name to the 12 inch, which title (one thousand and one nights) makes us think vicknoise now wears beard and turban, and has converted to islam. this is one of many irrefutable truths that techno has suffered the influence of arabic music since its beginning. in the 80s we had psychic tv or chris&cosey. later on, cylob. and most recently guy gerber and mathew jonson, as number one exponent of modern arabic techno

steven de peven and aardvarck come correct with their second rednose distrikt album. great beat trickery & lo-fi productions feat.harco pront, pips:lab, deborah jordan (silhoutte brown), mocky, overlast.. the first 500 of this title come with a 12 inch card poster of the - join the dots- cover artwork

very cool e.p. featuring the standout title cut free spirit happy new year to everyone! to help celebrate lays 10th year we start the year off with a bang. from newcomer fabio tosti we present the free spirit e.p. starting with the title cut, free spirit is a piano stormer that will be perfect for many upcoming wmc parties. the flipside sees fabios groovier side with one world and jazzy. look out for big things from this up and coming producer.

following their celebrated >meat is murder< ep, meat, aka carsten schuchmann, teams up with get physical regular einzelkind, arno völker and migual ayala, for >words from the frontline<. the ep opens with its title-track, words from the frontline. indeed, the word >frontline< is appropriate - the firm kickdrum sets the tone and pace before a hi-hat tattoo reminiscent of a military march asserts itself. rushing synth effects edge in from the sides before the track expands to accomodate a bending, feintly jazzy keyboard motif. this is quickly absorbed into the tracks fierce, linear 4x4 progression, and the addition of crisp snap-claps make this a winning modern take on 2nd wave detroit-style techno.

berlin s miro pajic has an extended history with his multitude of techno releases and alias. >data devils< showcases his modern talents and ear for the dancefloor. begin with the original creations >bubble trouble< and >data devils<. hypnotic and quirky digital pathways into an often hidden soul of berlin and electronic dance music. both cuts snap the groove and rise to the occasion grabbing the listener with the keyboard workouts and the dancer with his slick backbeats. the return of john selway(semblance factor/tronic) to tora is an epic and massive adventure. selway crafts the title cut into his own, building with layers before he unleashes a frenzy that will not go unnoticed. promo of the remix is already in the hands of top jocks (cristian smith, beyer,hawtin, abe duque) and is primed to be a memorable fall highlight

the term legend is applied to many djs and producers without credence, louie vega is one of the elite few who truly warrant the title. from the latin influences that shaped the early stages of his career, through his inspired partnership with kenny dope gonzalez as master at work, to his winning a grammy in 2006, louie vega is one of the true pioneers of house music. here, louie takes you on a personal journey through the music of his life, entwining salsa, jazz, samba, funk and soul into the house lead beats and grooves, producing a mix more than worthy of his fêted ability. this is house music at its very finest

the term legend is applied to many djs and producers without credence, louie vega is one of the elite few who truly warrant the title. from the latin influences that shaped the early stages of his career, through his inspired partnership with kenny dope gonzalez as master at work, to his winning a grammy in 2006, louie vega is one of the true pioneers of house music. here, louie takes you on a personal journey through the music of his life, entwining salsa, jazz, samba, funk and soul into the house lead beats and grooves, producing a mix more than worthy of his fêted ability. this is house music at its very finest

feel good house music from this summer one of the biggest title from ibiza summer 2007 and so is the sunshine. vision factory once again proven their skills in making proper house music. their mix gives a good vibe and the sing a long factor is huge. second mix comes from the man of the moment ali payami (suesse, serial). full on big room feeling with a slight of trancy elements! steve n king ends up with his dub mix. we all know him from the big hit bounce (boss and mobizz) in 2006.

in late august we have a fresh and exciting new release from stockholm based dj/producer mikael jonasson. the title track >twenty-se7en< is a cool happy and trippy reduced techno-tune that makes you wanna move your feet, while >dig deeper< on b1 is a dark tune with a nice bass-chord. >chlorophyll< perfectly rounds off this great ep with its dark dancefloor ability. earlier support comes from tom clark and james flavour

peter has already graced numerous labels with his unique yet constantly evolving studio style. after numerous afterhour situations with the doc family, we caught wind of grummichs new productions. we believe that the therapy ep continues the development of peters uncompromising underground productions. the title track, therapy, is a nine-minute journey into dancefloor dynamics. slowly building with concentrated breaks, therapy works it out and then some. label boss, aaron hedges, has been giving it heavy dj support and has found that its been quite some time since well placed hat crashes can drive an audience crazy. minimal, sexy and sleek, but at 7 minutes the listener is surprised with a full on new-rave lead which takes the song in a different direction. get it is a nice tech-house track with building percussive patterns and highly concentrated synth breakdowns. this track is only for the most sophisticated house djs that know when to drop a track like this. drymilk is a seriously twisted hard minimal track. nasty sound effects and perplexing pitch shifts will keep you guessing. is it genius or insanity? you be the judge!

so you know were partial to a pseudonym or two in the dubsided camp. so just to confuse things further we would like to introduce voodoo chilli aka herve aka count of monte cristal. with a remix from mustapha 3000, aka erol alkan, the banging title track >look what you done to me< is accompanied by two more knock-hard tracks on the ep